Museu da Marioneta

In Japan, the origin of Bunraku (puppet theatre) goes back to the 16th century; it’s a form of theatre that combines music, recitals and puppets. At the time, Joruri was a narration followed by musical instruments. The puppets moved according to the relate of the Tayuh and to the music of the shamisen (three string instrument).

Bunraku originated from Osaka, where Takemoto Gidayu created a theatre in 1684. The classical works of the Bunraku repertoire were written until circa 1800, matching the era of Japan’s Edo period (1603-1867).
The puppets used are made of wood, with approximately one meter height. They have mechanisms that allow the eyes, eyebrows and mouth to move.
Generally, each puppet requires the combination of three manipulators: the master and two assistants. Only the master can uncover his face; the assistants must keep it covered, under a black hood. The master is responsible for controlling the head and right hand mechanisms; the assistants take care of the legs and left hand.
The Tayuh, singer and narrator, is in charge of the voices of all the puppets and studies since he was 10 years old with a master, being able of passing from the whispered intonation of a song to a terrifying cry of pain. He represents all the emotions and feelings that the puppets display: joy, anguish, despair, love, etc.
The shamisen player follows, plays between the dialogues, notes and strengthens the states of  mind mimed by the puppets.